Troup
Analyzing this song, We are still in the circle of love motifs in the work of Morsztyn. Similarly motifs: Love is a source of suffering, uncertainty, numerical dilemmas of the lyrical entity. The mental state of the latter is so bad, that it can be compared to the corpse. This is another sophisticated concept in the author's poetry. Strengthened by a surprising and shocking punch line: The situation of the corpse is better than a lover:
You will fall apart in a small moment,
I can't, Set up with an element
Eternal my fire, ash.
To complete the image of the uniqueness of this poem, let's pay attention, that the lyrical subject speaks to a dead man lying on marach. So we have everything, for example, baroque: uncertainty and tear, Paradoxical comparison, concept and a surprising punch, unusual scenery.
The first two stanzas are the calculation of differences between the corpse and the in love, The next two gather the differences between them. Each verse from the first part begins with anaphore (Ty), it also has a part containing a second anaphore (and), Then the line of poem is significantly differentiated, thanks to which the poet avoided monotony. Both died, and in love experienced death – One was killed by a arrow of death, second arrow of love. How the poem convinces us, Both of these strokes have very similar effects: You lie killed and I am killed too.
Anaphora – rhetorical figure, A stylistic treatment consisting in repeating the same word (groups of words) or return at the beginning of the sentence, verse or stanza. Anafores were particularly eager to use baroque poets.
In the second part of the song it turns out, that real death is even better than this, which love brings. The dead sinks in eternal peace, However, in love, he still has to suffer, cry, He can't just fall into the ash, The flame consists of his heart invariably. Love is a huge strength, which no one and nothing can oppose. Brings destruction, storms the order of the surrounding world, but also creates hope.
Extraordinary exaggeration, exaltation and exaggerations from this poem again order us to see in it not to record the states of the poet's spirit, but the manifestation of the style of expressing feelings, undergoing literary emotion, strengthening to the limits of their expression. Maybe even a poem is a mockery of this convention, It ridicules it through grotesque exaggeration of features.
The song Morsztyn has the construction of a typical sonnet – is the so -called Italian sonnet, disseminated by Dante and Petrarka.
The first two stanzas of the analyzed poem have a system of rhymes (accurate, full and female) abba, The last two – CDD and CEE. The song was written by eleven, The middle school occurs after the fifth syllable.