About yourself
Morsztyna love lyrics brings an almost full overview of the baroque formal effects. She is artful, is characterized by a great variety of verseification and stress, surprising, original concepts, with ideas, However, which is accompanied by species rigors – For example, a sonnet, like in a loud poem to the corpse. The author also abundantly drew inspiration from Latin literature, Italian, French, most often transformed these patterns, limiting intellectual elements for feelings, also emotions – often expressed with great force.
Morsztyn has done a lot to enrich the means of expression of Polish literature of the 17th century. First of all, he completed the ways of rhyming, he used a varied versification, developed the art of composition, The poetic language itself. Tongue, who could give subtle, lyrical elation, sophisticated love game. At the same time, this writer often emphasized, that circulation, Constantly used by generations of poets, words cannot fully reflect his feelings, individual experiences – This is what an opinion appears in a poem about yourself.
After a long calculation (The whole poem of the Baroque poet that interests us is one complex sentence, and the rulings appear only in the last two verses; The so -called. inversion, np. not so much mill wheels, what silk miele) numerous elements (to emphasize the multitude, huge accumulation), A surprising punch line follows:
Not so much spring flowers, Summer ears,
Fruit autumn and votes,
Stars bright sky, sand sea banks,
Drops of a lot of rain, Flamps of dense snow,
They have not so much and the lakes of the reed,
How do I have pains for my Catherine.
Love (In Morsztyn, as a rule, which is carefully styled suffering because of unrequited feelings or uncertainty) the lyrical subject is so great, Pain caused to him by his beloved woman so strong, that even references to the quantities commonly considered infinite fail. The whole poem was built on one idea, one concept and also contains one thought of the poet: My love suffering is greater than anyone can imagine it, No comparison will give their enormity – Even poetry remains helpless in this case (The lack of trust in the possibilities of the poetic language is an important feature of the writing of many Baroque poets, and the belief in language restrictions returns in the poetry of many eras, Also today).
PUENTA This is a expressive meaning or stylistic effect closing a literary work, First of all, poetic. It can be a paradox, by the concept, wit, breaking up the clusters of phraseological. Puenta clearly contrasts with the entire statement, is the culmination of its meaning, emphasizes the overall meaning.
Analyzed poem, remaining in the circle of so -called lyrics, It is primarily a kind of joke, poetic fun and presentation of sophisticated stylistic possibilities of the author. Certainly more conventions in it, literary styles than authentic feelings for the cruel Catherine.